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http://www.knoxnews.com/news/2009/jan/11/playing-with-fire/?print=1

That is the link to the following article that was featured in the Life section and made it to the front page.  I like what was written:)

Metal sculptor breathes creations to life in New Tazewell studio

By Amy McRary

Sunday, January 11, 2009

A big, rather scary dragon atop a Nashville tree owes its shiny existence to metal sculptor Zophia Kneiss of New Tazewell.

At 22 feet tall and 33 feet long, the dragon perches outside the Nashville Children's Theatre. Apart from its size, it is one impressive animal. Solid steel bars form the dragon's skeleton, and metal scales of varying sizes its skin. "I like to overdo it," Kneiss says. "It's important to make things that will last forever."

The creature Kneiss nicknamed Eli has a friend - a metal child sitting nearby on a metal tree limb.

Kneiss created the $50,000 sculpture in 2007; this holiday season she fashioned metal Santa hats for both dragon and child.

Her high-ceiling Burning Art studio on Highway 33 South retains its past look of a boat and car repair shop. Its vast, dark interior is warmed by a wood-burning stove, and houses grinders, a plasma cutter, blacksmithing tools and clamps, hammers, wrenches, pinchers and pliers. The sculptor-welder-artist-fabricator works with metals such as steel, aluminum and more.

Not everyone has room for a 33-foot dragon - or the 9-foot-tall Tyrannosaurus rex that Kneiss built for a Bristol, Va., firm. So Kneiss, 33, also shapes metal into smaller hand-designed garden stakes, waving flowers or swirling wall sculptures. Her 9- and 10-foot flowers were in the 2008 Dogwood Arts Festival's Art in Public Places outdoor show. A 400-pound Holstein cow of mild steel rods and sheet metal stands in a Blount County pasture.

Price wise, her pieces run the gamut: A whimsical table is $400; a gate adorned with cattails and ducks costs $5,000.

For customers more interested in function than art, Kneiss fabricates aluminum trailers and repairs metal stairs. To further supplement her artist salary, the former Peace Corps worker also is a farrier who shoes horses. Maybe, one day, she'll blend art with that work. She says she'd like to build a metal horse in the future.

Her work now includes 12- to 14-inch mild steel angels in her "Dreamz With Wings" project. Each angel with swirling wings is shaped like a person or animal. At $50 each, the sculptures are a symbol of support and a way to help her partner, Julie Thurman, pay bills in Thurman's battle against breast cancer. Kneiss has sold 35 angels; her goal is 100.

Kneiss remembers that she was "always an artist" from elementary school on. Her father taught her functional welding a few years later. "I was 13 or 14 and I would just weld things together," she said.

Art and metal came together when she took her first metal art class at The Evergreen State College in Olympia, Wash. Art wasn't her main study. She majored in ecosystems science and planned to join the Peace Corps.

As a Peace Corps worker, Kneiss spent three years in the forest jungles of the Philippines' Kabayan, Benguet, region. She says working with native people affected her and her work, underscoring the idea that the art of science and beauty of art relate and that "craftsmen should be involved in their community."

Back in the United States, she moved to Atlanta and took welding certification classes at Dekalb Technical College. About four years ago, she escaped Atlanta's traffic and crowds for the Tennessee countryside not far from Norris Lake. Here, her first major work was that T-rex.

Kneiss created the dinosaur she calls Kayuga for Bristol Galvanizing, whose motto is "Don't let your steel become extinct." The 2006 sculpture was galvanized by the firm and earned an American Galvanizing Association artistic award. But her largest commission so far is the Nashville dragon and child.

"I loved the building (of the dragon) although there were actually a lot of 14-hour days," she says. "I think the planning is the hard part."

Once she submitted the design, children helped pick a winning artist from five finalists' drawings. Kneiss' work won because it was exotic and somewhat scary, says Julee Brooks, the theater's education director. "He was just scary enough to be cool," says Brooks.

"I like hearing that it makes people smile," says Kneiss. "I love it when kids enjoy it."

While the dragon is only intended for a metal child to sit near, Kneiss would like to one day build metal art installations as sculptural playgrounds for real children.

"If kids had a lot of money, I think I'd be rich."

Amy McRary may be reached at 865-342-6437.

 

 

 
Cool Picture...
 
 
Youtube video about dreamz with wings...
 
 

Best hot-dip galvanizing jobs recognized.

Advanced Materials & Processes • July, 2007 • OF MATERIAL INTEREST

The American Galvanizers Assn. (AGA), Centennial, Colo., has announced the winners in its 2007 Excellence in Hot-Dip Galvanizing Awards competition. Three are featured in this column--entries in the Artistic, Recreation & Entertainment, and Water & Marine categories. For information about other award winners, the association, or after-fabrication hot-dip galvanizing (HDG) of steel, contact AGA's Melissa Lindsley at 720/554-0900, ext. 13; e-mail: mlindsley@galvanizeit.org; Web: www.galvanizeit.org.

'T-Rex' guards galvanizers

Inspired by AGA's rustsucks.com advertising campaign, the staff at Bristol Galvanizing, Bristol, Va., decided to develop "T-Rex," as a part of a new marketing concept of their own.

The company brainstormed marketing slogans, and came up with a concept centered on the fact that HDG was the longest-lasting coating on the market. Thus emerged the idea of using a dinosaur, and the slogan "Don't let your steel become extinct" to go along with it.

Customers donated steel products such as pipe, rod, bolts, and nuts to help create the dinosaur. Farrier and welder Zophia Kneiss of Burning Art, New Tazewell, Tenn., then created the dinosaur from the various components.

T-Rex sits outside Bristol's plant, and has become quite a landmark with people stopping to take photos. In addition, the new slogan and images of T-Rex have been incorporated in the company's marketing materials.

Credits: Alan Shope (specifier), Zophia Kneiss (welder, blacksmith), and Burning Art (engineer).

 

 

Fossilized and Galvanized

 

http://redigitaleditions.com/Olive/ODE/BDC/LandingPage/LandingPage.aspx?href=QkRDLzIwMDgvMDgvMDM.&pageno=NjU.&entity=QXIwNjUwMA..&view=ZW50aXR5

 

http://redigitaleditions.com/Olive/ODE/BDC/Default.aspx?href=BDC%2F2008%2F08%2F03&pageno=65&view=document

 

As featured in Modern Steel Construction, August 2008

 

 

   Inspired by the American Galvanizers Association’s (AGA)

    rustsucks.com   advertising campaign, the staff at Bristol Galvanizing in Bristol, Va. decided to develop “T-Rex” as a part of a new marketing concept of their own.

   The company brainstormed marketing slogans and decided to develop a concept around the idea of hot-dip galvanizing as a long-lasting coating. Going with the long-lasting theme, as well as considering the long history of using galvanizing to protect steel, the concept of a dinosaur emerged. Continuing down this path, Bristol developed the slogan: “Don’t let your steel become extinct.” Customers donated steel—pipe, rod, bolts, nuts, etc.—to help create the dinosaur. Zophia Kneiss Farrier of Burning Art listened to their ideas and welded them into reality, creating the T-Rex sculpture.

   T-Rex, which has garnered an AGA Excellence in Hot Dip Galvanizing Award (in the Artistic category), now stands outside Bristol’s galvanizing plant for all to see and has become quite a landmark and photo opportunity. In addition, the new slogan and images of the T-Rex have been incorporated into all of the company’s marketing materials, providing Bristol Galvanizing a creative and unique marketing centerpiece that will hopefully be as long-lasting as the steel it dips.      

 
 

Fire, strength and steel make dragons real

 

http://www.wbir.com/life/programming/local/style/story.aspx?storyid=51525

 

Zophia kneiss of new tazwell began as a ferrier but has since combined her two greatest passions.

And though shoeing still pays the bills zophia's name and her work is about to get some national attention.

From over 500 applicants nationwide Zophia was chosen to construct a new sculpture for the nashville children's theater. Embracing and reinventing the 75 year old icon of the theater didn't come without some major pressure though

Being one of the youngest and newest sculptors to submit a design to the Nashville Children's Theater her creative vision shone through.

Though chair members and an executive board chose the five finalists the ultimate decision was left in the hands of very demanding and honest critics, children.

When the young decision makers saw Zophia's design they will filled with every emotion from fascination and excitement to fear. More than anything else it sparked the young imagineers and got them talking about what the dragon was doing.

And letting those emotions spark young imaginations is what the children's theater and this sculpture are all about.

Though laying on it's front now the model shows what the dragon will look like in place.

The galvanized 30 ft dragon dragon will perch atop a welded tree 22 ft tall with a total weight over 2 tons.

With its wings spread wide, beyond the giant scale, in one hand sits the emotional trigger for all who see it. A second sculpture of a small child.

And that should inspire children of all ages to follow their own creative process and kick start their imagination about what kind of story the dragon and child could be having, what kind of adventures would the surveyor be having if they were in the dragons palm.

Though fantastic creatures are a creative challenge Zophia also relishes the recreations of natures classic standards.

Having studies ecosystem science she considers the study of nature the pure form of the study of art. One of her greatest thrills is being able to create her own version of the beautiful flowers and animals she appreciates so much.

This sculpture for the nashville children's theater is a giant step in accomplishing Zophia's dreams and the expectations of the december unveiling has been a long time coming. Since Zophia was a child she's dreamed of creating something completely unique. With first hand experience and the forging of this giant, fantastic creature to life Zophia Kniess, after coutless hours manipulating metals through force, sweat, trial and error is bringing dream to life.

 

 

 
 
Nasville Children's Theatre Dragon Project
 
 
I have a new piece of epic proportions i am about to build. Its gonna be a 22' dragon poised in a tree with a companion child who is holding a large crystal. This is for the Nashville Children's Theatre. This organization has been around since the thirties and will be around much longer as they recieved a large grant to revamp their theatre. Part of this is the centerpiece sculpture to welcome visitors. This is my largest commission to date and I am so excited about the organization I am creating this for. They are about youth and creativity, which is part of my mission with Burning Art. I am going to blow their socks off.
 
Please check back with news and progress pictures!
 
 
 
New News
 
 

Thursday, 12 July 2007
By Denise Sanabria

Creating sculpture from found objects is an art that goes far back into pre-history, perhaps the earliest form of sculpture. It is a tradition that has never been lost in folk art throughout all parts of the world but was abandoned as a serious art form until being revived by modernists in the early 20th century. It is a seemingly simplistic genre in which to work, but considerable intelligence and skill is required to take it to a higher level.

Lee Jines has lived for years in an old restaurant building in Claiborne County. Formally a Screen Actor’s Guild member who worked in the film industry in New York, Jines has redirected his creative urges to producing sculpture. His obsessive need to create art from found objects (such as scrap metal, broken bric-a-brac and organic materials), mixed with traditional media, has been problematic at times. He feels his creativity is viewed by many as either a sickness or a gift, though he considers it the latter. Jines says the people who consider it a sickness are unable to understand why he needs to live surrounded by what they consider piles of junk. Jines describes how he often found discarded objects along the side of the road, calling out to him as he drove by them, informing him that they needed to be used. He would carefully evaluate them for shape, texture, coloration and life before he would toss them into the back seat and bring them home.
 
 
"Warrier Goddess" or "Eurelea" sculpted by Zophia Kneiss

Half a mile down the road from Jines’s restaurant residence is Burning Art, the studio belonging to Zophia Kneiss. Located in an old auto repair garage, her sculpture projects share space with the horseshoes she crafts in her other life as a professional farrier. Kneiss learned welding early on from her dad, and after studying metal art at Evergreen State College in Olympia, Wash., she joined the Peace Corps, later relocating to Atlanta for three years. She creates art that blends serious social themes with playful inventiveness.

Sculptures of creatures both large and small grow from nuts, bolts, old tools and scrap metal that she finds in junkyards and abandoned factories. Scrap sheet metal is cut out with a plasma cutter to produce geometric and decoratively curved pieces. Sometimes, oddly shaped metal directs the development of the finished work; bent and curved tools become flowers, suggesting the mechanics of nature. The rust that covers some of the materials injects a sense of history and time into many of her mythological creations. “Female Warrior,” a piece watching over the highway in front of the studio, is graced with such a patina.

On the other end of the spectrum, Kneiss created a shiny, 10-foot-tall by 16-foot-long Tyrannosaurus Rex out of hot dipped galvanized steel as a commission for Bristol Galvanizing of Bristol, Va. Her latest commission is from the Nashville Children’s Theater. The outdoor sculpture will be a 22-foot standing dragon, its tail wrapped around a structural support pole, one outstretched hand holding a child cupping a crystal ball. At first glance it could appear menacing, until you realize that the child is the dragon’s friend.

Both artists’ continue to be busy, and show no signs of stopping anytime soon. Their work can be found periodically in some of the galleries that participate in First Friday openings in downtown Knoxville, and you are more than welcome to stop by Kneiss’ studio in New Tazewell.

 
 
 
Another new article
 
 

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